Steven Spielberg – Movies of the Soul

Vampire Owl: We should also call for full disclosure of past events.

Vampire Bat: There have been no relevant events in the castle for some time.

Vampire Owl: Relevant or not, there are few things we should all know.

Vampire Bat: Dracula Castle is an open and free world.

Vampire Owl: Yet, it holds many secrets.

Vampire Bat: You can always know them in detail if you just ask Uncle Dracula.

Vampire Owl: Dr. Frankenstein has warned about not asking too much.

Vampire Bat: Mr. Frankenstein is not someone we should follow.

Vampire Owl: Well, he is Frankenstein the most awarded scientist.

Vampire Bat: He has awarded too much for his fake inventions and discoveries.

[Gets a ghee podi idli and three cups of Kodaikanal tea].

What is the movie about? :: Jane Blankenship (Eve Hewson) finds herself kidnapped and tied up by strangers and she wonders how she has reached this situation of bondage. It is later revealed that her boyfriend and cybersecurity specialist named Daniel Kellner (Josh O’Connor) had stolen top secret material from his employer, a secret United States government organization working privately, known as the Wardex Corporation. Daniel had stolen an artifact of extraterrestrial technology along with many years of documents and hard drives which have footage of extraterrestrial encounters dating to the Roswell incident which had a conspiracy theory related to the United States military recovering a crashed extraterrestrial spacecraft. While many UFO proponents claimed that the Roswell debris really had an alien spacecraft, Daniel finally finds himself with proof about some of it. Daniel threatens the people form organization with the extraterrestrial device he possesses and manages to save Jane and escape.

So, what happens with the events here as we just keep looking? :: As Daniel and Jane try to hide somewhere one would least expect them to be, they approach Sister Maura (Elizabeth Marvel), the Abbess of the Monastery of Saint Clare of the Dawn, as Jane reveals that she was part of the novitiate to become a nun, much to the surprise of Daniel. She adds that she lost her calling and not her faith, as Daniel reveals that he has information which should go to the public and should not remain hidden for long. Jane has her doubts, but trusts him on the same, and decides to leave with him to a safehouse on the very next day, even though the nuns tell her that she can stay there as much as she wants. At the same time, NBC meteorologist Margaret Fairchild (Emily Blunt) is preparing for work when a northern cardinal bird flies into her home and seems to talk to her. The incident stimulates a psychic ability in Margaret to get into people’s thoughts and also speak in languages she has never learned, with her starting with Russian and Korean, the least possible languages she could ever speak.

And what more is to happen here against all odds with twists? :: Getting late to her office while being stopped by the police, she gets directly to a live weather broadcast, and begins speaking in an unknown language, and collapsing right after delivering the words. This alerts the Wardex Corporation which listen to the same words and they send their own people posing as FBI to the hospital where she is admitted. Surprisingly, she is able to identify them as not real FBI and escape with her intuitions. Daniel and Jane reach at the safehouse arranged by the group of people who intend to reveal the truth to humanity. He explains to Jane that Wardex has been experimenting on extraterrestrial creatures who were captured in the last few years and are reverse engineering their technology – he considers himself to be among the chosen people who are to reveal the truth about human brutality on aliens. After watching the clip of Margaret speaking the extraterrestrial language, he understands it in English, surprising him. Now, both Daniel and Margaret intend to find each other to solve all of these, but the corporation has other plans.

The defence of Disclosure Day :: The movie sets up the narrative really well, and has us interested in the movie which establishes some mystery in the beginning and provides us the feeling that something big is sure to follow. The first few sequences had elevated the mood and had us ready to go through the whole thing while feeling full tension, never taking our eyes off the screen. There are some fine visuals and nice sound effects to go with the same, and the feeling of mystery is well-supported by the same, as we keep having the feeling that the paranormal is always around, and the situation created there by something extra-terrestrial uses the effects so well. There is a lot here to explore, starting from corporate opacity, journalistic integrity and whistleblowing to the spiritual side itself, with more than one method provided to look at divinity and morality while facing unexpected situations. Emily Blunt steals the show with her performance too, especially in the beginning stages. Eve Hewson does the same, and her character is in such a multiple level complication that we feel the same so well. Josh O’Connor does a fine job too.

The claws of flaw :: There are too many whistleblowers, journalists, cyber security experts, corporate executives and highly underused personal relationships leaving so many character arcs feeling rushed beyond repair. From the half point, the movie starts a certain amount of drag, with we finding more dialogues than action, and some of them just seemingly stretching the content to that run-time which was never really suitable here. There seems to be so many moments without which the movie could have done well enough, and we cannot keep ourselves from thinking that it has been over-complicated. Then there is that ending which does not really end, and keeps us wondering what it was about, and we still cannot feel that there is a chance for a sequel. The loss of strength as the movie nears the end is a nail right on the head of the alien flick which has been considering itself intellectually and morally superior. Even though we had fallen in love with the movie too early, it only takes half of its journey to decrease our love for the same – the struggle feels real from then.

How it finishes :: Disclosure Day goes on a little bit too long a journey to go through its content which is not much to elongate to its present situation, but its serious way of dealing with the subject has us interested from the first moment itself. The ups and downs of the movie are so much that we feel that the journey is through a highland-lowland combination, driving a slow-moving sedan which is not that easy to steer with roads having too many twists and turns with heavy traffic and not that width. The way in which characters are thrown in there without that much of a development reiterates the same. But that premise is so much interesting to not choose to travel in the path, as keep thinking, and also wondering about what we come across in a divergent way. One might just need to make sure that that enough time is reserved for the same, as watching it in one sitting might need more attention and patience. Then we remember that there is no overdose of anything, and we have aliens coming in as much realistic as they can, for we have alien rights mode activated as if it is about human rights. Jio Hotstar seems to have this one running well in the OTT mode.

Release date: 12 June 2026
Running time: 145 minutes
Directed by: Steven Spielberg
Starring: Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Colman Domingo, Wyatt Russell, Henry Lloyd-Hughes, Elizabeth Marvel

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: Is it like LPG and CNG?

Vampire Bat: You seriously need to work on your studies about abbreviations.

Vampire Owl: So, it is not another kind of dirty fuel that humans use to destroy nature?

Vampire Bat: No, it stands for Big Friendly Giant.

Vampire Owl: Now, that is new. I am BFVO then. Big Friendly Vampire Owl.

Vampire Bat: Everybody knows that you are not friendly. You are surely not big either.

Vampire Owl: Come on, it is one of those lies spread by Werewolf Anger. He is just angry at me for no reason.

Vampire Bat: But I witness your lack of friendliness everyday.

Vampire Owl: You, sir need to check your vampire mind for hallucinations.

Vampire Bat: This is a Steven Spielberg movie. Will you just watch it?

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Sophie (Ruby Barnhill), a ten year old orphan girl spends her nights at an orphanage at London by reading books, as she has a sleeping problem. She is more of a loner and has less number of friends there. Even though it is not allowed, she manages to stay awake at night all the time. One night, at three in the morning, which she herself calls the witching hour, she sees an old giant (Mark Rylance)outside through her window and the creature sees her too. It captures her and takes her to the Giant Country which is a secret place. As he establishes himself as a friendly giant and doesn’t want to eat her, she asks him to let her go, but he tells her that she has to stay there forever as she has seen him and now knows that the giants exist, which she will tell the other humans causing trouble for them. He also adds that if she tries to escape, one of those non-vegetarian giants will eat her.

So, what is it really about? :: There she understands that none of the giants really like the one she has named BFG a.k.a. Big Friendly Giant, starting with their leader, the Fleshlumpeater (Jemaine Clement) who thinks that he is good for nothing as he eats those which he considers as pathetic vegetables. The Bloodbottler (Bill Hader) doesn’t fall behind in hating the giant who doesn’t belong either. The list is long with the rest of the giants, the Butcher Boy (Michael Adamthwaite), the Bonecruncher (Daniel Bacon), the Manhugger (Adam Godley), the Gizzardgulper (Chris Gibbs), the Meatdripper (Paul Moniz de Sa), the Childchewer (Jonathan Holmes) and the Maidmasher (Olafur Darri Olafsson). All these giants are bigger and stronger than the BFG, and are not hesitant in making fun of him each and every time they meet.

So, what happens next? :: The special thing about the BFG is that unlike the other giants who spends their time in laziness, he is more of a scholar who can not only read, but is also skilled in many other fields. What he does with most of his life is to capture the dreams from Dream Country and send them to little children. With one of the giants getting hold of Sophie’s blanket, the BFG realizes that she won’t be safe anymore, anywhere in the Giant Country and tries to get rid of her – but she doesn’t agree to it, and soon, all the giants are at BFG’s place looking for the little human being for dinner as they can smell her. With all the destruction they cause at his place, finally the two friends decide that enough is enough, and these flesh-eating creatures need to be taught a lesson. But shouldn’t their preference be to survive rather than anything else? How can they do anything to the group of powerful giants?

The defence of The BFG :: The visual treat is the one thing that makes The BFG score really high, and there is absolutely no fault in that – the world of giants, dreams and everything is nothing less than that enchanting fairy-tale that we hope to see waiting for us. There is no dark shade to this tale either, even with those giants looking for humans to eat whenever it is possible – this is why there is so much of a magical effect which goes right into one’s heart to satisfy a childish side which rests there. The child takes over, and we can only see how satisfied that one is. The visual beauty is one thing, and the strong emotional side just gets right into us with Mark Rylance as the good giant making us feel amazingly good. The kid, Ruby Barnhill doesn’t stay far behind either, as this combination works like magic for all of us who have been looking for more and more of beautiful feelings within us. You are going to leave this one with a smile on the face, that stays.

The claws of flaw :: When you consider this one only as a Steven Spielberg movie, one is sure to expect more from The BFG. No, this is not going to stand that kind of an expectation, with our movie coming from a 1982 children’s book which was written by the British novelist Roald Dahl. Also illustrated by Quentin Blake, it is supposed to be an expansion of a short story from Dahl’s own 1975 book Danny, the Champion of the World. The first live-action adaptation of the same is this one, and so what we need here is to accept its childishness – otherwise, things are not going to work. This is the kind of movie which would have become my instant favourite if this had released during my childhood – still, it is surely not without its flaws, as rarely does it try to rise above what seems to be in the material; there is no attempt to make it bigger, as there was scope without doubt. The repetitions could have also been avoided.

How it finishes :: Even those adults who feel that there is nothing serious happening in a children’s movie will agree that there is fun in this one, and there was surely a visual treat that nobody can miss. There are those moments which come up with positive messages, and there is the funny side. Friendship is found when it is least expected, and the same is the case of courage and wisdom – you will know when you watch this movie. The sweetness in this movie will surely make you feel good, and wish that there was one big friendly giant who could bring a better meaning to your life – it is that much which the child in you will ask for, and it is what this movie delivers visually. It is your inner child and the misfit in you that wins this battle to choose the movie to go for, as I checked for some of the movies in my favourite genre, and still got attracted to this one more than those first choices on the list; your case will be no different.

Release date: 1st July 2016
Running time: 117 minutes
Directed by: Steven Spielberg
Starring: Mark Rylance, Ruby Barnhill, Penelope Wilton, Jemaine Clement, Rebecca Hall, Rafe Spall, Bill Hader, Michael Adamthwaite, Daniel Bacon, Adam Godley, Chris Gibbs, Paul Moniz de Sa, Jonathan Holmes, Olafur Darri Olafsson, Marilyn Norry, Chris Shields, Matt Frewer, Geoffrey Wade