tides – Movies of the Soul

Vampire Owl: I have some problems with these dead men.

Vampire Bat: I am pretty sure that you don’t even know them.

Vampire Owl: Maybe, but I don’t understand why they come to the conclusion that dead men tell no tales.

Vampire Bat: It is quite a common saying in the human world, as I have heard.

Vampire Owl: But we are dead, and we tell stories.

Vampire Bat: We are the undead. It is a different case. Even in the movie, the undead exist.

Vampire Owl: I am sure that they can tell a few tales too.

Vampire Bat: Do you prefer the subtitle to be Salazar’s Revenge?

Vampire Owl: Revenge is so common, so dull. It is not that sweet as it used to be. I would prefer to wait and achieve greatness, which would be my revenge, which is not really the direct revenge.

Vampire Bat: Let them keep the dead men and their tales then.

[Gets the tickets with cardamom tea and french fries].

What is the movie about? :: Henry Turner (Brenton Thwaites), the son of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) works on a warship belonging to the Royal British Navy which has been after the pirates who have been plaguing the ocean around the Americas. It is an eventful journey, with pirates being around now and then. During one of such journeys, when they are chasing a pirate ship, they go right into the Devil’s Triangle, known more to the modern world as the Bermuda Triangle. Henry tries to prevent the same, but rising against the captain’s order makes his talks and action something resembling mutiny, and he is imprisoned in a cage. But it is not the pirate ship that they found inside, but something resembling a wrecked ship, and the undead in the form of sailors led by a man known as Captain Salazar (Javier Bardem) attacks them, and kills everyone except Henry who is asked to deliver a message to Captain Jack Sparrow (Johnny Depp), about death coming after him.

So, what happens next? :: Meanwhile, Jack is trying to rob a newly opened bank with his pirate gang, but in the end, they lose all the money, and he is left behind in the process. Henry who survives the attack of the undead pirates after being left behind by Salazar, is captured by the British, and branding him as a coward and a traitor, they plan to execute him. It is during that time that he comes across a young woman named Carina Smyth (Kaya Scodelario) who was sentenced to death for witchcraft, but had escaped at the same time when Jack was going through his robbery. She is also captured while trying to contact Henry, but he escapes when the attention is on her. The curious Carina also intends to go to find the Trident of Poseidon which Henry has been looking for, as it is supposed to have the power to free his father from the curse. Jack, who is left with nothing in the sea, also gets caught after drinking too much. The British decides to execute the witch and the pirate at the same location, at the same time, by hanging and by the guillotine.

And, what is to follow next in the seas? :: With the help of Jack’s former crew, Henry manages to help both Jack and Carina escape, and they get back to the sea in search of the trident on Jack’s small ship, Dying Gull. Carina has the map that would lead them to the same, which only she can read with her skills. With Salazar and his undead crew managing to escape from their dark captivity, and the undead captain assigning the grand pirate Captain Hector Barbossa (Geoffrey Rush) with the duty of finding Jack after some threatening, Jack and his new friends have more than one trident to look out for. Salazar’s main objective is to kill Jack, but he wouldn’t hesitate to kill or destroy anyone or anything that he finds on his way, and with the Royal Navy as well as Barbossa being no match to him and his army of undead, how would Jack, Carina and Henry manage to escape from the clutches of the evil which is ready to be unleashed all around the waters?

The defence of Pirates of the Caribbean: Dead Men Tell No Tales :: There is entertainment in store in Pirates of the Caribbean: Dead Men Tell No Tales, that is for sure, and we have the same with the support of some nice visuals, and the 3D is pretty much okay. The undead sailors and sharks are all nice, and the locations contribute to the same so well. The comic side is at its best with the scenes of execution of two protagonists, a big bank robbery scene and the jokes regarding the job description of the heroine – other than that, there are a few working here and there, fine enough to keep the ship floating. Johnny Depp still has a lot of the sparrow in him with nothing much changing about the character we have loved for so long, and Kaya Scodelario is a lot welcome addition to the same, coming right out of The Maze Runner and its sequel, The Scorch Trials. Javier Bardem and Brenton Thwaites also becomes fine additions to this adventure, and they all contribute to making this movie good, even though it is still the least interesting movie among all the five flicks that make this franchise.

The claws of flaw :: The fans of the Pirates of the Caribbean franchise might have surely expected something bigger with Pirates of the Caribbean: Dead Men Tell No Tales, and it would leave them thinking why this one hasn’t evolved even after such a long gap with no pirates in the seas. There could have been more magnificence with the horror here, and something even bigger to end the movie with. The forced cameos bring no surprise and it can be said all the time. We wanted more of everything considering how long it took to come up with this sequel. Here is even Jack Sparrow not becoming the one whom we had waited for so long – the comic side is good, but we end up thinking if the character itself was needed, or some other pirate could have been enough. A stronger tale could have also helped, because this one seems to be a story written just to bring this movie to light, and get more money at the box-office in the name of the brand – the effect of having the pirates is coming down, and the makers have to be careful, for this is not even an animated movie like the Ice Age movie series.

How it finishes :: Even with some fun in store, one has to think that Disney is using the Pirates of the Caribbean franchise too much in the same way, trying to make more and more money out of the same. It has been fourteen long years since Pirates of the Caribbean: The Curse of the Black Pearl released, and it has been six years since the last movie of the franchise, Pirates of the Caribbean: On Stranger Tides released – there are two sides to the same, for most people should have forgotten how things have been going on in this movie, and there is also a lot of people who have wished to see something or anything related to the pirates on the big screen. If more of the same thing is needed to be repeated, this is the movie that you should go for, as nothing new or special makes its way into this movie. You can watch this one to have more of pirates, but you can’t expect it to bring anything new – for experimentation seems to have left this franchise with ease, and being more creative is no longer the visible option for the makers.

Release date: 26th May 2017
Running time: 128 minutes
Directed by: Joachim Ronning, Espen Sandberg
Starring: Johnny Depp, Kaya Scodelario, Javier Bardem, Brenton Thwaites, Kevin McNally, Geoffrey Rush, Martin Klebba, Orlando Bloom (cameo), Keira Knightley (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

What is Thira? :: On a vague translation, it is what the fifth century Greek dramatist heard on the Aegean Sea, and what Matthew Arnold felt on the English coast and wrote down in his Dover Beach. What do we have here though? Thira is the latest addition which joins Vineeth Sreenivasan’s success as a director, as this is another add-on to Malarvadi Arts Club and Thattathin Marayathu, two of his earlier success stories. Lal Jose brings us no bad movies, so there is the guarantee yet again. Instead of the terrible loss of faith in Dover Beach, we have the loss of humanity, its righteousness which has been quickly disappearing with its belief in God. The situation is yet again that of the darkling plain, for the situation of the Victorian Age was more of faith, belief and humanity than it is now. This flick from Vineeth Sreenivasan is not light as his other two crowd-pulling ventures, as this is dark and on the other side of humanity, where there is no happiness of friendship or the beauty of love, rather the bad or the evil side of society which leaves us with nothing but disgust about a lot of things that is happening in this world, but not without a ray of hope – remember the movie Passenger. When Shobana says “have faith” in the movie, remember…

What is it about? :: Thira tells the story of Dr. Rohini Pranab (Shobana) who is a cardiac surgeon trying to find the mystery behind the death of her husband. But as she tries to unravel one mystery, another one comes forward, as girls from her welfare home are kidnapped, and she herself is brought under suspicion by the media. Meanwhile, Naveen (Dhyan Sreenivasan) comes to meet his younger sister after a long time, as he had run away from his house a few years ago. But just before he get a chance to get to her, she is kidnapped by a group of people in a car, vanishing before he could do anything. As police refuses to help him, he picks up clues and reaches a place where he finds two girls held captive and releases them until he is captured by the goons along with Rohini who comes searching at the same place. They escape and join forces to find the missing girls with the help of an honest cop and Rohini’s co-workers. Naveen is told that he has a maximum of twenty four hours to save his sister, as Rohini finds out that there were some clues left behind by her dead husband who was after the same group of human traffickers.

The success of Thira :: There are not many other actor or actresses that we have noticed before in another movies except for Shobana (releasing at a time when the half-a-sequel to her classic Manichitrathazhu also came to the theatres in the same weekend and struggled). But still, this one has managed to get the best out of the rest, supported by its wonderful narrative and background score, supported by the right use of its partially adapted story-line. Its theme might be too much used, but the treatment here is different, as in the movie Passenger, this one also takes the path of the common man who fights against the system and those people who tries to take advantage of the corrupt system with their illegal works. To add to it, the movie never bores, as it is fast – may be too fast that it often forgets to create suspense and create the thrilling moments; but that still works. It takes on a social message very well, and successfully creates the much needed objective correlative with its connection rightfully established. For that, it is three out of three for Vineeth Sreenivasan, and the ratings from me would be 59 out of 100 for Malarvadi Arts Club, 80 out of 100 for Thattathin Marayathu and 81 out of 100 for this one, that is how I personally see the improvement.

Flaws of victory :: The camera shakes – that is the first thing I didn’t like. That doesn’t really make the scenes more realistic or interesting, and it is a major flaw whatever the movie is. The beauty on the screen can’t be loved that easily with so much shaking around. Meanwhile, this is going to be trilogy, and with the expectations high, and the second part of movie never really becoming as good as the first, we have to bite our nails a lot. Yes, there are too many movies to which this movie seems related, mostly with the theme and the outline plot. The movie also delivers less as a thriller, as a good number of moments becomes predictable and defy common logic, even as that doesn’t affect the flow or the totality of the story. Fighting against such a huge racket supported by politicians and police seemed to be too easy, and once they get together, almost all their ideas go in the right direction. It makes us sad about the state of the kidnapped, but it doesn’t add enough suspense or enough twists to make this the thriller which rules its genre. But how many people can claim about a flawless victory? Not even Liu Kang or Kitana can achieve the same with ease, in a Mortal Kombat game.

Performers of the soul :: This is Shobana’s movie as one would expect. She plans and takes steps as a lighter female version of Taken‘s Liam Neeson, who doesn’t care who she has to fight to get her girls back (Remember “I will look for you, I will find you, and I will kill you” from Taken). It is a fantastic return to our favourite leading actress of 1980s and 90s. She plays the strong protagonist, while Dhyan Sreenivasan plays the weaker one who still has to take on the goons physically due to the love for his sister – like Suresh Gopi’s character in Rudraksham. One has to say that he is very good as a newcomer too. With Vineeth Sreenivasan directing, I did wonder if this was one of those roles which could have perfectly suited the only leading actor he had in his movies, Nivin Pauly. May be we can have him in the sequel, as Dhyan’s character is done with this one, and that should be great, and very interesting indeed. There are so many other characters, but none of them really getting the needed screen time to be talked about much. The only exception might be the girl who played the sister role, and she’s good indeed. Thira rests on two performers, and as they scores, the movie takes off.

Details with spoilers :: I don’t know about its alleged borrowing from Amazing Grace and The Whistleblower, and it being the unofficial remake of the 2007 film Trade. But it will remind people about the 2012 action thriller Karmayodha which was rather a weak attempt on the same subject of human trafficking, especially of women. This movie is rather a very good reminder about how good Karmayodha could have been and how badly it missed out. Well, there are two other movies which I would like to mention – they are the 1994 Malayalam movie Rudraksham and 2009 English movie Taken. The former deals with a man (Suresh Gopi) looking for his younger sister in a strange city and ends up in the abode of a gangster who runs a brothel. The latter is the story of one man (Liam Neeson) who uses all his skills to save his daughter and her friend. The former could be Dhyan who tries to save his sister as a one-man army and the latter could be Shobana who tries to save more than one girl with her skills. The hopelessness of the former and the determination of the latter combines here. The dark tone of these movies seems to make them blood-brothers.

How it goes :: Vineeth Sreenivasan has surely come a long way from Malarvadi Arts Club, but even as the first thriller from him, this won’t be a Thattathin Marayathu in the box office, despite the comparative richness in content. Geethanjali‘s failure to live up-to the expectations will help this one a lot though. It is a clear winner at the box office, and may even exceed our expectations if the next releases doesn’t work that well. To add to it, we have the ability to accept the different, unless it doesn’t become Olipporu – our audience accepted Traffic, Chaappa Kurishu, Amen and North 24 Kaatham (about Annayum Rasoolum and Kili Poyi, God knows why they were praised). Just like they say in Neram, there is good time and bad time, and this is indeed the good or even the best time for Thira. What it makes out of it is up-to the viewers, but so far it has been good. Now waiting for Salaam Kashmir – if it has stopped its procrastination, a procedure it has followed for such a long time and made the movie lovers wonder if it is a “mission impossible” or going to release on a future possible “6th day”.

Release date: 14th November 2013
Running time: 120 minutes (estimate)
Directed by: Vineeth Sreenivasan
Starring: Shobana, Dhyan Sreenivasan, Deepak Parambol, Gaurav Vasudev, Sijoy Varghese, Amritha Anil