Lift

Vampire Owl: This reminds me about that need for a lift in the castle.

Vampire Bat: The castle is not that tall and there are not enough floors.

Vampire Owl: We are not really going to need permission from any organization. We are vampires.

Vampire Bat: I am telling this to you because there is no need with a smaller number of floors.

Vampire Owl: I do get tired just with these many floors.

Vampire Bat: You know that you are an owl and can fly if there is an emergency.

Vampire Owl: Vampire Owls are made different. We are vampires first and owls last.

Vampire Bat: That does not mean that you cannot fly.

Vampire Owl: Dr. Frankenstein would still prefer the lift.

Vampire Bat: Mr. Frankenstein might want to keep having a tour of the castle.

[Gets some tapioca chips and three cups of Vagamon tea].

What is the movie about? :: A heist crew has been creating trouble for Interpol all around the world as they have been focusing on art heist at the unexpected locations, mostly in Europe. The team includes Cyrus Whitaker (Kevin Hart) the master thief and leader, Denton (Vincent D’Onofrio) a master of disguise and expert in trickery, Camila (Úrsula Corberó) expert pilot and beauty with the brains, Magnus (Billy Magnussen) safe cracker and seeker of adventures, Mi-Sun (Yun Jee Kim) hacker and computer expert and Luke (Viveik Kalra) an engineer and master of electronics. The team undertake two simultaneous heist works, one of stealing a Van Gogh painting in London and then kidnapping of renowned NFT artist N8 (Jacob Batalon) in Venice. Despite the best efforts of Interpol Agent Abby Gladwell (Gugu Mbatha-Raw), the team manage to be successful at both places, and the presence of Abby in Venice does not help at all. The team’s escape plan creates a joke out of Interpol team that comes chasing in boats.

So, what happens with the events here as we just keep looking? :: It is revealed that the team had a fake kidnapping plan for N8 to have the paintings rapidly increase in value after being stolen, making the value rise from $20 million to $89 million. They had pre-sold the Van Gogh painting for $20 million which gets them $89 million much to the dismay of Interpol and the local police that had come chasing after them. Abby Gladwell uncovers evidence implicating Denton and arrests him, hoping to get to the rest of the team using him. But Abby’s superior Huxley (Sam Worthington) decides to have Cyrus and team take on a mission which would provide them with full immunity from international law if they manage to pull it off. The plan is to capture a billionaire named Lars Jorgensen (Jean Reno), who intends to make more money with the help of a hacking group called Leviathan which is able to create massive flooding in Europe by hacking into security facilities of dams – he would do stock manipulation at the same time. But are they capable of such a big thing?

The defence of Lift :: Lift looks good throughout its run, starting from the stunning watery world and old architecture of the city which has enchanted us through years. The global settings ad London, Brussels, Tuscany etc to the list, making it feel international and extremely good-looking. A heist in such a height featuring two airplanes, one of them being an Airbus A380 and the other one a futuristic concept model would not cease to amaze you. There is that feeling of quality written all around the movie, with everything looking so good, and having a cast that seems to come from all around the world. The movie also does well to make us believe in the impossible, and never do we feel that it is doing a little too much. The polished feeling never really leaves us as we look at the world in front of us. It dies remind us to watch films like Red Notice, Army of Thieves, Now You see Me and even that local flavoured ones from this part of the world, Varnyathil Aashanka, Sapthamashree Thaskaraha and Kohinoor.

The claws of flaw :: The movie just seems to do the usual for most of the time, and not much more gets to elevate the whole thing. The predictability factor stays with us, and the ending seems to be too quickly done, with no big action or dialogues to go with it – everything just gets solved so easily, and there seems to be no danger around here, except when one is reminded of the same; yet, things go smooth enough even with those mistakes and weaknesses. The characters could have also had better introductions and backstories instead of focusing on those two main leads. The romantic side surely feels force, and one cannot stop thinking that it could have been with some other characters instead. The villain is not given the option to be that menacing, as he is on the screen only for some time, and he just do the usual talking. There could have also been more heists around here, and the difficulties faced by them could have been given more focus. The movie also lacks the moments which would make one go for it again, and never goes for divergence, as it chooses to be safe and just the usual.

The performers of the soul :: Kevin Hart leads the way here, and the humour works very well with him, especially with a combination to Gugu Mbatha-Raw, who remains solid as the Interpol agent around here. Their moments work for the humour, but not that much in favour of the romance, as comedy surely gets to be much more. There are moments with them that quickly elevate its humour, sometimes all of a sudden when the situation is serious. Among the crew, the most convincing is Úrsula Corberó, who shines as the pilot and scores like no other, even getting an unexpected part in flight fights. Sam Worthington remains solid, and I had hoped that the AvatarTitans star would have had a bigger role to play in this – he is a bigger star than any other at least in this part of the world. Billy Magnussen adds some cool moments here and there. Yun Jee Kim is a joy to watch throughout the movie as she gets closer to those computers and do the job in style. Vincent D’Onofrio’s moments are also to be remembered, and Viveik Kalra is not that far behind. Jean Reno could have surely had more villainy to add.

How it finishes :: Lift go on with an old model in a new world, and it feels effective even without that much of an innovation around here. With the effectiveness of humour as much as the nice action that comes in as a bonus. In a world that is so well captured, we are glad to see it as much as enjoy that action – the movie also gets to add its own big action. This might not be among the biggest heist movies that you will ever see as far as story is concerned, but this one surely has its heart at the right place with a team that works together and sticks together in style. As it is available on Netflix, it provides some pure fun on the OTT, and it might be the right entertainer for the weekends and festivals without thinking too much about it. There might be those movies which depend too much on an overdose of heroism and nonsense, but this is not one of them. I was actually surprised that nobody really told me about this movie, but this one is surely worth your time, and this is surely something you can keep as a distant sibling of Fast and Furious movies, but with no cars at all to go for that speed on road.

Release date: 12th January 2024 (Netflix)
Running time: 107 minutes
Directed by: F. Gary Gray
Starring: Kevin Hart, Gugu Mbatha-Raw, Vincent D’Onofrio, Úrsula Corberó, Billy Magnussen, Jacob Batalon, Jean Reno, Sam Worthington

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Torpedo U-235

Vampire Owl: Do you remember when was the last time we saw a torpedo in a movie?

Vampire Bat: Yes, it was in The Wolf’s Call, a French movie.

Vampire Owl: This one wouldn’t have that one being launched, I guess.

Vampire Bat: Yes, this one seems to show the need to deliver the torpedo.

Vampire Owl: I have heard that this movie is set during the Second World War.

Vampire Bat: Yes, it seems to have fictionalized history well enough.

Vampire Owl: For some reasons, the name of Hitler is coming back at different places.

Vampire Bat: Yes, after all, the Second World War is the event most learned in classes.

Vampire Owl: Well, he is the best known figure of that particular war, isn’t he?

Vampire Bat: Yes, everyone I have seen in the vampire world knows that man.

[Gets a vancho cake and three cups of cardamom tea].

What is the movie about? :: The Second World War is at its higher points with Hitler’s power unmatched by anyone else, and during these times, commander Stan (Koen De Bouw) and his weird group of resistance fighters are given the mission to deliver a stolen Nazi submarine filled with atomic uranium, which can be used for weaponization. This amount of uranium, if captured by the Nazis again, could lead to terrible consequences. Therefore, the team would do anything to get it to the United States, while Nazi Germany would do anything to make sure that it doesn’t. The team has to get this boat from Congo, and they are given some time to study about the submarine, the German u-boat, short form for undersea boat. But they have to start the journey too early, because they are discovered by German Destroyer ships from a distance, with information about their mission being leaked. Due to the same, Stan is also forced to take his daughter Nadine (Ella-June Henrard) with them, whom he was planning to leave at a safe place in Congo.

So, what happens with the events here? :: Stan himself has a past with the Nazi death squads, as he had tried to save a few Jews who were running away from Hitler’s Jewish Holocaust, and he had lost his wife and son in the process, left only with Nadine – the girl is in love with Filip (Joren Seldeslachts), another member of the crew, a relationship which Stan doesn’t approve of. The team also has help from a German captain who knows the u-boats in and out, as well as an African man who was left inside the submarine while loading the supplies from outside. These two are to become two important people who would be instrumental in ensuring the team’s survival. During the first and Second World Wars, the u-boats were efficient weapons against enemy naval warships, best used in enforcing blockades. They were not that into direct battles, and attacked merchant convoys bringing supplies from parts of the British Empire, and from the United States to Europe, but in this case, it has to prepare for battles too – can they survive?

The defence of Torpedo: U-235 :: The movie has some nice visuals, not just outside, but also inside the u-boat submarine which has some nice detail, even though not as much as we had seen in The Wolf’s Call. But it is always nice to see one of those older type of submarines both inside and outside. The movie seems to be made in a low budget considering its content, and has done pretty well to rise above those limitations. There are some fine action sequences, most of them involving guns, but there are not too many – we do have torpedo launches too, as we see two submarines going against each other, a submarine against a destroyer, and a submarine against a fighter plane. The feeling of the Second World War and the Nazi terror is maintained throughout the movie – there is a Nazi threat over the head at all times. It is the kind of thing that can keep almost any movie alive. This is the kind of movie which could have another mission with another movie in this franchise with fictionalized World War bravery.

The claws of flaw :: The movie has a little too many dialogues, and often it gets far above the action which happens. The romantic and emotional side of the movie including the girl is rather dull. The romance becomes a rather unnecessary addition which doesn’t seem to have much of the romantic elements, and the emotional side gets rather too weak because of this love story that works in between. The funny side is also not used to its best advantage, and the final moments seem a little bit forced – for some reason, they wanted to save the girl’s life; maybe the shortage of female characters went to far ahead, and for the same, they want to do the impossible defying logic. The film surely could have had a better climax and ending, because so much was established in between, with the scope seemingly reaching a new level. Maybe they felt that there was enough already and didn’t want to try too hard – well, that is true as we look and understand that it has enough to be an action thriller mostly set inside a Nazi submarine with atomic submarine inside it.

Performers of the soul :: Ella-June Henrard plays a character who seems to be there just because they needed a female character in a movie full of men – she doesn’t get to do much until the movie gets towards the end, and most of the time, serves as just a distraction. When such a decision was made, it needed to have better quality with opportunities as well as the performances, and without the first one mentioned, we can’t really have the second one. Maybe they wanted to give her something, and provided her the perfect shot even though she was not really supposed to be part of the team. A Belgian actor Koen De Bouw plays the main character, a Nazi hater with a rough past, and he does very well, while a German actor Thure Riefenstein plays the German u-boat Captain who displays some hope for humanity during a time of terrible crisis and hostility against humanity. Joren Seldeslachts who plays the love interest of the girl is caught in that romantic side, but otherwise it works well for him too. The next one to make an impression is the man from Congo who is left in the submarine as it dives, and he is one force who will be noticed for sure.

How it finishes :: Torpedo: U-235 serves the purpose in having another fictionalized account of war, and it is always better to have this one instead of movies like Django Unchained and Inglourious Basterds because this one at least has some control over its history and doesn’t decide to kill Hitler in ridiculous ways. There are similarities which can be found here related to the latter. Our movie here has some fine content, and it has a thrilling adventure which could have been better – it doesn’t use its submarine to that much of an effect like The Wolf’s Call did. But you are not short of entertainment, and there is also a certain amount of humour in store along with the seriousness related to the atomic uranium, and the danger of traveling under water with such scary stuff, along with being chased by powerful German submarines, fighter planes and destroyer ships. When you make a World War II movie well enough as this one, there is entertainment, and we are glad to have the same to go through such edge of the seat moments.

Release date: 23rd October 2019
Running time: 102 minutes
Directed by: Sven Huybrechts
Starring: Koen De Bouw, Thure Riefenstein, Ella-June Henrard, Joren Seldeslachts, Sven De Ridder, Stefan Perceval, Bert Haelvoet, Rudy Mukendi, Gilles De Schryver, Robrecht Vanden Thoren, Vic de Wachter, Martin Semmelrogge, Stefan Weinert

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.