Leo

Vampire Owl: The theatre requires more area, doesn’t it?

Vampire Bat: The movie has been taken up as a celebration by the audience.

Vampire Owl: These are the Pooja Holidays. So, it is expected.

Vampire Bat: Even for such a holiday rush, this is quite a lot.

Vampire Owl: It is only the blog which has lacked any rush this year.

Vampire Bat: We have been too busy this year.

Vampire Owl: We have always been busy towards eternity.

Vampire Bat: This is also the first Vijay movie that we are reviewing.

Vampire Owl: Yes, we had at least one review of most of the other stars already.

Vampire Bat: There is always a chance in violence for a new beginning.

[Gets a plate of chilli porotta and three cups of mint tea].

What is the movie about? :: Parthiban (Vijay) is an animal rescuer and a chocolate-specialized café owner who is now settled in Theog, Himachal Pradesh. He lives with his wife Sathya (Trisha Krishnan) and two children Siddharth (Mathew Thomas) and Mathi (Iyal) in a cottage which is located some distance away from the main town. Their only family friends are Forest Ranger Joshy Andrews (Gautham Vasudev Menon) and his wife Priya Joshy Andrews (Priya Anand). Parthiban wishes to keep himself away from public attention, which he somewhat manages to do despite him being able to tame a hyena which attacks the town with the help of Joshy and Siddharth. But when his café is attacked by a group of robbers and one of them tries to sexually harass his employee Shruthi (Janany Kunaseelan), he takes matters into his hands, and seeing his daughter in grave danger, ends up murdering all of them using their gun, despite never having used any firearms before. The court declares it self-defense, but the family of one of the robbers swear vengeance and his photos also become part of different newspapers all around India.

So, what happens with the events here as we just keep looking? :: After the incident, Parthiban becomes very careful about his family’s safety, installing CCTV cameras everywhere and checking the entry points to his home. He wakes up at night, feeling the requirement to protect his family from evil forces. His photos which were published in newspapers come to the attention of some of the gangsters in Telangana and the news spread further. Harold Das (Arjun Sarja), a notorious and ruthless gangster with roots in Andhra Pradesh and Telangana. He informs his brother Antony Das (Sanja Dutt) who is a dreaded crime lord running an international drug business. Antony and Harold seem to identify Parthiban with another name Leo Das, as Antony’s son who was supposed to be dead some years ago. At the same time, facing threats from the relatives of Shanmugam (Mysskin) the leader of the robbers whom he murdered, Police Officer Napoleon (George Maryan) is assigned to his protection. Napoleon spends most of his time sleeping during duty, much to the dismay of Parthiban who feels that his home remains unprotected despite the best efforts.

And what more is to follow when chaos unleashes itself in the hilly terrain? :: Antony reaches the quiet town of Himachal Pradesh with his large group of henchmen. He gets to the café run by Parthiban and calls him Leo. But Parthiban refuses to acknowledge even knowing the man and the name which has been put on him. Antony meets Sathya and saves her from the relatives of Shanmugam and murders all members of the gang who were trying to hurt Parthiban’s family, while reminding them that the children are his own blood, the offsprings of Leo. This sets a sequence of confusing elements in motion, as Joshy Andrews visits Hridayaraj D’Souza (Mansoor Ali Khan), a former gangster now in prison, and he lets out a flashback about Leo and his twin sister Elisa Das (Madonna Sebastian). Meanwhile, Sathya and Priya goes on with their own methods to search more about Leo and Parthiban. But it seems that the truth is not something that they can find out easily. But they would need to unearth that early enough with Antony wandering around the town of Theog and Parthiban seemingly losing his mind. The question remains if they can be quick enough to do that.

The defence of Leo :: The movie, as expected is held strong by Vijay, and the action sequences here are difference, and in this world, mindless action makes way for more classic action. Vijay suits well in a new world of violence without that repeated style of action that we usually see. The action here remains more memorable as much as the violence. The visuals are breathtaking and the locations for the fights are so good that we will keep remembering them for the next few days. There is also no shortage of style, which is yet kept in control not to go overboard. We also have no slow-motion overdose here, even though the tendency would have been there. The final revelations nicely set things in motion here for more, and the good supporting cast means that this can contribute more to the overall universe of the same kind of movies. The background music remains stunning at all times, and we are made to go with the flow which is already supported by the visuals. Mathew Thomas of Kumbalangi Nights, Thanneermathan Dinangal and Jo and Jo also get the honours. The team of Gautham Vasudev Menon, Trisha, Priya Anand and George Maryan are very good and so are the menacing villains played by Sanjay Dutt and Arjun Sarja.

The claws of flaw :: The flashback remains a weak point of the movie, as Madonna Sebastian, despite making a quick impact with a return to the past, is done away too soon, and the same can be seen about Babu Antony who does not even get a name for his character after seemingly getting back to power with RDX again. The initial group of robbers are also disposed too early despite the scope which was exhibited. The movie also has that overdose of style even though not that much as one would fear. Some moments seem to be like from a game, and some of the action just goes a little too much ahead. Some characters actually needed to be stronger, and the antagonists could have been more than people of style and threatening. Considering the scale here, there could have been more to achieve, especially with the earlier avatar of the main character. A movie like this one requires to be more complex with its subplots getting further attention, but the secondary elements just seem to be there for providing support to the newly established hero. The movie, without that much of a tale from the past, could have surely been shorter too.

How it finishes :: Leo feels much divergent from other films of Vijay, and has a certain amount of Hollywood touch to it – the control that it manages to exhibit is to be appreciated as it does not go the way of Baahubali and RRR, overdoing with heroism. Our protagonist has been nicely managed in comparison, and so is his world, a small one in a large canvas which the viewer can relate with touch of horror running in the mind. The movie nicely blends into the bigger universe, and one can hope that there would be much more to come in future. After Jai Bhim, it took a long time to watch another Tamil film even though the first Tamil film review happened here a longer time ago in the form of David, and it is evident that this is movie here is worth the time. The huge collections that it received would feel worth it, as an exit into a world which feels magically terrifying with the spectacle of a view that is not seen so often. The fans would find this as the bliss of their free-time, but one can find no trouble in being assured that the movie is for everyone, despite a little bit of extra violence added here and there. Blood and gore have been on our list for some time too.

Release date: 19th October 2023
Running time: 164 minutes
Directed by: Lokesh Kanagaraj
Starring: Vijay, Sanjay Dutt, Arjun Sarja, Trisha Krishnan, Madonna Sebastian, Babu Antony, George Maryan, Mathew Thomas, Gautham Vasudev Menon, Priya Anand, Iyal, Mansoor Ali Khan, Shanthi Master, Janany Kunaseelan, Sandy Master, Madhusudhan Rao, Sachin Mani, Denzil Smith, Santhi Mayadevi, Leela Samson

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@ Cemetery Watch
✠ The Vampire Bat.

Adam Joan

What is the movie about? :: Adam Joan Pothen (Prithviraj Sukumaran) is a rich planter living in the high-ranges of Kerala. His friends are all married, and the fact that his own brother Alan a.k.a. Unni (Rahul Madhav) fell in love and married Swathi (Bhavana), settling in Europe, got his mother worried about his ways. Adam is still content working with his plantations, which he is hoping to develop further, until he meets Amy Andrews (Mishti Chakraborty), the lead singer in a group performing in churches. They meet each other multiple times, and there is not much trouble in making her alcoholic father Andrews (Maniyan Pillai Raju) agree to their marriage. They travel to Scotland for their honeymoon, and rest of his family has also settled there. There, a tragedy occurs, and Adam has to be separated from his family. It is only years later, that they would meet again, and that would be on the occasion of another tragedy.

So, what happens with the events to follow? :: One one of those usual days of Lent, right after the Holy Mass, Unni and Swathi has their child kidnapped by a group of masked men who kills Unni’s mother who resists. Adam who was about to come and visit them, arrives to attend his mother’s funeral, much to his dismay. Learning the news of the child’s abduction, he decides to stay, but his brother and wife wants him to go back home, which surprises him. The two decides to go on with their routine job leaving it to the cops on whom they put trust, but the police are also very less interested in the case – Adam is certainly not satisfied. From his best friend Syriac (Narain), Adam comes to know that the number of kidnapped children has been increasing in the last few years, and the police has had very limited success in tracking down those who were behind the same. While trying to do something about the missing child, he would stumble upon his own past, and there is something about a flashback which has events which have directly or indirectly lead to all these incidents.

The defence of Adam Joan :: You will witness quality on screen, and it doesn’t matter how you look at it. The technical side is indeed splendid, and the visuals of the Scottish countryside, whether it is the farmlands, the hills, the rivers, or the ruins, brings a mystical feeling – there are so many shots taken from a distance, and those taken from higher above will give you a wonderful feeling about the beautiful landscape of Scotland. There is no need for a better advertisement for the area as a tourist destination. The soundtrack is superb, and it nicely adds to the dark side of the movie, which only builds further as the movie progresses. How the makers have used the visuals, the music, as well as the cast to transform an average narrative to an interesting experience on the screen, is an achievement as well as a powerful statement about how much our industry has changed, and shifted the focus towards quality in even simplest aspects. You will see that even with a hero in protagonist, the focus is spread wide. There are also some twists to go with the same.

The claws of flaw :: You are sure to feel a certain lag in between for this movie, and most of it is during the earlier part of the second half, as the first half does end in an interesting manner, setting up things to go further with the latter part. When you see such quality with its shots on the big screen, you also expect the tale to get better and bigger by the end, but that doesn’t happen, with the investigation not getting its due completely. There is also the early destruction of romance, and the only lighter side of this movie is around that one super-hit song – the rest remains dark; you will also notice that even the incidents in the end happen in a darker setting. There are some elements of horror which the movie could have used, and we could have also had more terrifying sequences with the theme that the flick deals with. There was scope to add more thrilling sequences, but the movie chooses to lag on those occasions. This slow pace could have been avoided by decreasing the overall length of the movie.

Performers of the soul :: It is Prithviraj’s mass appeal as well as intensity that drives this movie right from the start – he begins well with emotional and romantic side, and goes on to portray that intensity around the dark side with a performance that will ascertain his place as the master of darker thrillers. You remember Memories and 7th Day which did the same, and this flick also makes it to that list. After two much talked about movies this year, Tiyaan and Ezra, he continues a good run – it is to be noted that there is also a Jewish touch in this movie as it was in the movie featuring the Jewish dybbuk. Even his protagonist never really overdo things as one would have feared – there is only one big action sequence in the end, which is rather stretched, but executed well. It seems that this genre will take him as a permanent player, and you will love some of the dialogue his character gets to deliver – like Liam Neeson of Taken. Still, there might be nothing as good as Memories.

Further performers of the soul :: Mishti Chakraborty is there only for only that super-hit song, and a few more scenes, and we sadly would have to wait more till we get to see more of her in Malayalam movies. She doesn’t get to come up with an impact like Wamiqa Gabbi did with Godha, with not much of a focus on her character other than being the love interest of the protagonist for a short interval of time – still, the song surely did some trick for her. Even though she is paired opposite Prithviraj, we see that the chance for performances go to Bhavana and Lena who get more to do with the twists in the tale. The former was last seen in Adventures of Omanakkuttan, and her character has more than what meets the eye, and so does Lena’s. It is also good to see Rahul Madhav getting more roles, as he supports well in this one. Narain does a good job, but it is rather a single dimensional role with one focus, and you will find just one reason for his character’s existence. He gets to bring the twists to the tale too.

How it finishes :: Jinu V Abraham, on his directorial debut, has brought a marvel on the technical side when you watch it on the big screen, and the same makes one forget its flaws. You might be reminded about some Hollywood movies, but when it is more related to the wonderful technical side than the rest, you will feel good. The competition that this movie has for Onam seems to be a lot, but one can safely say that this flick will be among the winners. There is no reason why you wouldn’t want to go on a virtual trip to Scotland, and at the same time, watch the dark side getting unleashed and being chased by our hopeful protagonist. The exact definition of what you would watch on the screen would be “quality”, and it is this quality that will separate this movie from the rest. I leave you with the beautiful song from the movie which went on to become a big hit. At the same time, I wish all of my readers a Happy Eid, as well as a Happy Onam in advance! 🙂

Release date: 1st September 2017
Running time: 160 minutes
Directed by: Jinu V Abraham
Starring: Prithviraj Sukumaran, Mishti Chakraborty, Bhavana, Lena, Narain, Rahul Madhav, Jaya Menon, Madhusudhan Rao, Maniyan Pillai Raju, Sidhartha Siva, Benny Bereal, Mark Strange, Danny Darren

@ Cemetery Watch
✠ The Vampire Bat.