Panchavarnathatha

What is the movie about? :: A nameless man (Jayaram) is a mystery to many, as he owns pets ranging from cats, dogs and parrots to camels, horses, donkeys and elephants. He speaks and acts in strange ways, leading to most people of his neighbourhood belonging to upper middle class family not liking his presence in a plot right between their homes. Most of his collection of birds and animals are leftovers of a circus which had recently ceased to exist. He takes special care of his animals and birds, and sells them only to those people whom he finds fit to give them the best lives. Along with living with these creatures, he also has small real estate business and other small part-time jobs. Even though he might seem tough for people who never knew him, he is more than that, with no hesitation in helping others in need, having special love for children, as he is an orphan who never knew his father and mother.

So, what happens with the events to follow? :: Meanwhile, Kalesh (Kunchacko Boban) is the MLA of the place, who was elected earlier because his father, the former MLA had died, leaving a wave of sympathy among the common people. Despite his father being a man loved by many people, Kalesh couldn’t do much for those who elected him, and is living in a mansion of his friend, Nazir (Joju George) with his wife Chitra (Anusree) and a complaining mother (Mallika Sukumaran), who blames him being not anywhere close to his father as a politician or a social worker. With his father’s former aid Udayan (Ashokan), Kalesh hopes to claim all the glory in style with a win in the upcoming elections. His opponent for this election is Jimmy (Salim Kumar), who hopes to reclaim the consituency for his party after a long time, in one way or the other.

And what is follow with the events? :: The journeys of the two, the unnamed man and Kalesh meets when the people of the neighbourhood tries to have the animal and bird lover evicted. Kalesh is the person whom they see to accomplish that aim. But not everyone thinks about him in the same way, as the the local police officer KO Rangan (Prem Kumar) himself finds the animals and birds interesting. Things get further complicated when Kalesh is forced to give the man some space in his home because of certain twist of events. With all creatures following him, Kalesh and his family might have taken in more than what they could have. Now, questions remain about the future of the animals and birds, as well as the political career of Kalesh. Can things get better in their lives, or is this strange combination going to ruin everything?

The defence of Panchavarnathatha :: There is some good comedy followed by a fine emotional end in this flick, which is never short of being interesting for the family audience. Along with the same, there is a good message being provided here, about doing good for the others, not just to humans, but also to the animals and birds. With its everyman characters, we feel the need to attach ourselves to it, rather than some random fan movie which has fan-centered life which is not applicable to the common man who think about their families and society rather than any random superstar. The songs are just okay. Ramesh Pisharody’s first attempt at direction surely feels better and closer to heart than those movies celebrated in the name of common man like Amar Akbar Anthony and Kattappanayile Rithwick Roshan. There is enough in Panchavarnathatha for most people, and the others are having problems which are surely not visible on the big screen. Some incidents in real life are also reflected here.

The claws of flaw :: There is one person whom we miss on the screen, and it is Ramesh Pisharody himself who has directed the movie, but never appears as an actor. Some of the comedy also misses out, and we feel that this kind of an idea could have had even better treatment, maybe closer to daily life’s incidents, or in a way that it goes beyond the self-inflicted restrictions – you feel the strength of the idea within this one, and the need to have more. It could have been a complete social satire, but that choice is not made even though there is politics with the ugly sides, and people within a society that has its own stranger sides. The movie is also a little too long as it deals with its content, which had to be dealt with better to go for such a long run. Also, these many animals were not needed, as it doesn’t help to take things seriously. There could have been a fine background story for the main character too.

The performers of the soul :: Jayaram is here with a different avatar, and after this year’s disaster of a movie Daivame Kaithozham K Kumar Akanam which competed with Queen to become the worst movie of 2018, he has redeemed up to an extent with this role. There is the absence of those big dialogues with this one, and the character serves with the divergence that was needed. Kunchacko Boban has this character under full control, and Anusree seems to be rightly suited for this role, as she goes natural with the performance. Mallika Sukumaran also contributes well on the usual lines. Dharmajan Bolgatty arrives later, but contributes well to the fun; before that there was Salim Kumar doing the same. Prem Kumar also brings some good contribution for the comic side, and Ashokan is there for the whole length of the movie. Joju George then brings a little more later.

How it finishes :: Panchavarnathatha is the one underrated movie of this Vishu – it seems to have managed less attention than Jayaram’s earlier lesser movies including Daivame Kaithozham K Kumar Akanam and Kunchacko Boban’s Kuttanadan Marpappa, which is rather strange. This one is surely better than Mohanlal which released with Panchavarnathatha gaining more attention, as the comedy is cent percent better working, and has characters that will appeal to us rather than some random fan girl who never really deserved to be taken seriously, as she went on to become a curse for everyone around here. We all need everyman characters, and Panchavarnathatha has something that touches the emotions along with the comic side, rather than becoming a pretender like many other movies; any kind of different uprising is always required among similar movies.

Release date: 14th April 2018
Running time: 147 minutes
Directed by: Ramesh Pisharody
Starring: Kunchacko Boban, Jayaram, Dharmajan Bolgatty, Anusree, Ashokan, Salim Kumar, Maniyanpilla Raju, Joju George, Prem Kumar, Mallika Sukumaran, Dini Daniel, Tini Tom, Seema G Nair, Kunchan

@ Cemetery Watch
✠ The Vampire Bat.

Vellimoonga

vellimoonga (1)

Vampire Owl :: I condemn the name of this movie. They are not supposed to name a comedy movie as “the silver owl”.

Vampire Bat :: It says silver owl, not vampire owl or not even night owl. There is no way it can affect you.

Vampire Owl :: But I am still deeply offended.

Vampire Bat :: You were just looking to find a reason to be offended.

Vampire Owl :: Everyone is offended by something or anything all the time, and I choose to follow that path which is the new fashion. I shall still forgive them if the movie is a good one, because I am a generous Vampire Owl.

Vampire Bat :: It has good reviews so far. You could actually not blame a few people this time.

Vampire Owl :: Who are they to judge and review an owl? What do they even know about owls? Are they married to owls?

Vampire Bat :: It is not really the story of an owl. It has humans. What is wrong with you these days?

Vampire Owl :: I stare at the mirror and see only the owlish truth. The absolute truth that only the owls can recognize as true.

Vampire Bat :: This is exactly why zombies eat brains.

[Gets the tickets].

What is it about? :: Vellimoonga tells the story of a politician Mamachan (Biju Menon) who attempts to reach big heights by being part of political party in the north of India rather than joining a local party and using his local image to become a leader in the locality. He roams around his village, attempting to make a name using his political affliation to the big party of which he is just one of the very few members in the whole state. His best friend and the only other member of the party in that locality is Pachan (Aju Varghese) who helps him in his initiatives, hoping to go to Delhi with him some day. Jose (Tini Tom) is his big political enemy from the left wing. Mamachan who is not married even after his younger brother getting married and having two kids, finally falls of a girl who attends the same church, Lisa (Nikki Galrani), but would face big resistance from her father Vareeth (Siddique) who used to be his rival. How our hero handles the situation becomes the rest of the story.

The defence of Vellimoonga :: The movie’s ability to be a laugh riot cannot be questioned in the most doubtful situations. We come to know that right in the beginning itself. They could ornate this simple plot with nice comic numbers and some interesting twists with serene strength. The script does have enough to extract the performances from the actors and actresses. The visuals are good as the beauty of the rural area is captured nicely and the shots are beautifully adorned. There is no questioning the movie’s propensity for competence even without the presence of any so called superstar or heavy publicity, and for the same, the movie deserves some more applause. The movie could skillfully use its cast to its strength, and could thrive on the abilities of its actors to evoke laughter embedding the right situations here and there and there is also the ultimate realization that it gives to its viewers on how cute and pretty Nikki Galrani actually looks.

The claws of flaw :: Vellimoonga could have surely had a little more logic with some of its proceedings, but that should be a purely subjective opinion as far as a funny movie purely made for fun is concerned, and it does keep some of the same. The songs are just ordinary, nothing really making an impact. There is a little bit of missing in the middle, with the flow getting lost at times, but that can often go unnoticed. A little more care to the plot could have been nice, instead of deviating each situation to bring comedy here and there. A little bit more of the reflections of the major political incidents would have also done this movie more favours. A full swing political satire like Sandhesam could have been here, may be developing what Oru Indian Pranayakadha had also partially shown, sadly that much is not there to be seen. There are also a number of comedy numbers which should have been rather avoided, but may be it caters to a certain group of viewers.

Performers of the soul :: Biju Menon returns to the big screen as the solo leading character of a movie after a very long time, and it is not just the silver in the name of the movie that he strikes, but it is the gold itself. It was splendid to see how well he captures the mannerisms of his character and gets into the role of a political player with such an ease. Yes, it is Aju Varghese who skillfully supports him and does what he has been doing the best, but there is nothing like Biju Menon leading the comedy train, something he has been doing for such a long time along with his other variety roles. He doesn’t combine with or play second fiddle to Kunchako Boban or Dileep this time as takes things forwards with the support of Aju. This also turns out to be Nikki Galrani’s best ever outing in Malayalam as she is stunningly beautiful and cute like no other actress of these days. Tini Tom also essays an impressive role with ease, and Asif Ali’s extended cameo is likable. It is good to see Anu Joseph in the movies too. Sunil Sukhada and Sasi Kalinga scores with their comic numbers too.

Soul exploration :: Vellimoonga does work as a satire, there is no doubt about it. The movie doesn’t hesitate in making fun of the political situation that is prevalent in the country concerned with unholy alliances between the parties and seat sharing, along with the influence of regional parties. The situations related to politics remain funny throughout the movie, and the personal life of the protagonist and his infatuation towards the girl comes only as a part of the same. The significant thing is that the whole thing is concerned with what happens in one village, something which provides a certain feel-good factor to this movie, as the audience also seems to need such locations. The movie doesn’t give the feeling of drinking some bourgeoisie coffee which is provided by some random machinery, but that of a certain kind of tea which has the flavour of the villages and its hardworking common people.

How it finishes :: Vellimoonga is the winner of the weekend before Gandhi Jayanthi and will carry over its success to the Pooja season – who would have thought that this Biju Menon starrer will be the winner facing bigger movies which released at the same time, or were already in the theatres when it came to the audience? Yes, Biju Menon wins this round with ease, and for giving us this one with all its power, we can thank his versatility as a wonderful actor. Let’s hope that this movie is not lost in mindless remakes coming from Bollywood with the dumb stuff like Bang Bang! We are in need of comedy movies which don’t stoop into buffoonery of any kind, and Vellimoonga guarantees that such movies can exist without superstars with its own existence. May be it will inspire more movies which can come up with some more genuine comedy which won’t make the brains of the audience feel like vegetable noodles.

Release date: 26th September 2014
Running time: 130 minutes (estimate)
Directed by: Jibu Jacob
Starring: Biju Menon, Aju Varghese, Nikki Galrani, Tini Tom, Lena, Asif Ali, K. P. A. C. Lalitha, Siddique, Sunil Sukhada, Sasi Kalinga, Kalabhavan Shajon, Anu Joseph, Chembil Ashokan, Shivaji Guruvayoor

vellimoonga!

@ Cemetery Watch
✠ The Vampire Bat.