Rekhachithram

Vampire Owl: We will never have enough murder mysteries.

Vampire Bat: There is no limit to investigations on the unsolved.

Vampire Owl: This one has gained some fine reviews.

Vampire Bat: Anand Sreebala seems to have provided a similar feeling.

Vampire Owl: And that Anveshippin Kandethum feeling of last year.

Vampire Bat: And that of Ozler with the same actress.

Vampire Owl: We wonder how many mysteries are yet to be solved.

Vampire Bat: We have missed too many thrillers in between.

Vampire Owl: We now have the best thrillers in Malayalam.

Vampire Bat: We continue to believe in such smooth investigations.

Vampire Owl: And we need more serial killers.

Vampire Bat: The best thrillers surely can use a few.

Vampire Owl: We know that the best thrillers are coming.

Vampire Bat: Well, we have listed a few.

Vampire Owl: A little more darkness could have been fine.

Vampire Bat: Darker the movie, better its world.

Vampire Owl: This movie seems to be not that dark.

Vampire Bat: There is some nostalgia though.

Vampire Owl: The journey to the past never gets old.

Vampire Bat: Especially when it is related to movies.

Vampire Owl: We have seen Malayalam films using the same in the best way.

Vampire Bat: I would let the nostalgia run wild in fear.

Vampire Owl: Horror and a memorable past combine well.

Vampire Bat: Like a shake, biryani and tea.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: This was such a well-made journey.

Vampire Bat: The combination of nostalgia and mystery of the past and the investigation with its thrills in the present.

Vampire Owl: It provides us a past which is memorable.

Vampire Bat: Yes, the golden age of Malayalam cinema.

Vampire Owl: The 1980s and 1990s. Fifteen years of 1985 to 1999, right?

Vampire Bat: The age of Nadodikkaattu, Utharam and others on one side.

Vampire Owl: The age of Spadikam, Summer in Bethlehem and others on the other. The connections to Mutharamkunnu P O and Unnikale Oru Kadha Parayam are nicely created.

Vampire Bat: The movie then refers to Kathodu Kathoram, another one we remember.

Vampire Owl: Who would not remember the song “Devadoothar paadi”?

Vampire Bat: And we were reminded of the same in Nna Thaan Case Kodu, shown here too.

Vampire Owl: This also reminds me of Cold Case.

Vampire Bat: The discovery of a skull, yes – but not as old as this one.

Vampire Owl: The mystery of the skull still impresses, doesn’t it?

Vampire Bat: Well, we just have the full skeleton this time.

Vampire Owl: A disgraced police officer investigating the case, and that’s something which keeps us interested in the same.

Vampire Bat: Discovery of the skull, finding its origin, but nobody knowing the person except for the face and name, then the difficulty to prove who died even when there is the idea that it is known that who really committed the murder.

Vampire Owl: It is once against Asif Ali in the role of a police officer that steals the show – we remember that Thalavan was so good.

Vampire Bat: Anaswara Rajan and nostalgia has become a fine combination too, and it is indeed great to see.

Vampire Owl: The other leading actress, Bhama Arun has done a fine job in between too. It is a role similar to what the leading actress of Anand Sreebala was doing.

Vampire Bat: The other two main actresses, Zarin Shihab and Megha Thomas have blended into their respective roles so well as we look at them.

Vampire Owl: Siddique, Saikumar and Indrans once against impresses in the serious roles which seem to suit them better than ever these days.

Vampire Bat: This one movie that provides the satisfaction not just as a thriller, but also as a near complete film.

Vampire Owl: Nishanth Sagar is one actor whom we need to see more and suits the cop role like never before.

Vampire Bat: Manoj K Jayan plays too big a villain and Saleema becomes the pair in has been through with the villainy for too long. It was rather too direct though.

Vampire Owl: In the end, we have another murder mystery that we love. This is another one of those movies that keeps us in a world of investigation that thrills.

[Disappears into the darkness of the day during twilight and awaits the darkest bloody night of that particular week].

The YouTube video features the same version captured through mobile. As the writing mode continues to play a significant role, the visual presentation does take on an increasingly prominent position. The YouTube channel Scholar Nomads seeks to expand the horizons, exploring diverse areas of interest. Both the blog and vlog will feature film reviews and explore fresh styles, offering even more intriguing content to viewers and readers alike.

Release date: 9th January 2025
Running time: 140 minutes
Directed by: Jofin T Chacko
Starring: Asif Ali, Anaswara Rajan, Manoj K Jayan, Harisree Ashokan, Sai Kumar, Bhama Arun, Nishanth Sagar, Zarin Shihab, Saleema, Megha Thomas, Srikant Murali, Priyanka Nair, Nandu, Sudhi Koppa, Vijay Shaju Sreedhar, Sanju Sanichen, Anuroop P Jayashankar, Dileep Menon, Arun Sankaran Pavumba, Pauly Valsan, Akhil Shylaja Sasidharan

<<< Click here to go to the previous film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Kurukkan

Vampire Owl: So, we are talking about a clever fox here.

Vampire Bat: I don’t think that vampire foxes can be clever.

Vampire Owl: I do not see any mention of this fox being a vampire.

Vampire Bat: The possibility of a vampire fox cannot be ignored.

Vampire Owl: What about the vampire wolf among werewolves?

Vampire Bat: A vampire wolf shall only be a werewolf.

Vampire Owl: I thought we were categorizing them into two.

Vampire Bat: Uncle Dracula has said that we shall trust no wolf.

Vampire Owl: I thought we were using wolves against wolves infinitely.

Vampire Bat: We don’t do divide and rule here. It is the job of humans.

[Gets some butterscotch pastry and three cups of Siliguri tea].

What is the movie about? :: Krishnan Rajasekharan (Sreenivasan) is a documenter who keeps appearing in the court to falsely testify, as a witness. He had only recently become a witness to win over a case which was almost lost. He has proven to be helpful in many different cases, and his motive is the monetary benefit. It is then that a model and social media influencer Neenu Iype (Mareena Michael Kurisingal) is found dead in her huge mansion. CI Dinesh KT (Vineeth Sreenivasan) is in charge of the investigation. Commissioner Balachandran K (Joji John) wants the case to be solved as early as possible, as the media hype is rather too much to handle. Neenu’s roommate Anjitha Narayanan (Ansiba Hassan) and Manager Bhagat (Nandan Unni) are confident that she is in no relationship and has no enemies at all. There is also no clue of anyone having entered the house and there are no male finger prints. Dinesh and his subordinates SI Reena Mathew (Sruthy Jayan) and SI Sajad Hassan (Aswath Lal) come under immense pressure.

So, what happens with the events here as we just keep looking? :: At the same time, Dinesh’s friend provides the information that there are drugs in a certain room in a popular hotel in the city. Dinesh, who was looking for an opportunity to improve his image, arrests two people from the same room after finding some white powder. But upon examination by the experts, it is discovered to be just gypsum powder. Dinesh who feels ashamed about the situation tries to frame the man who delivered the newspapers at Neenu’s house, Hari (Shine Tom Chacko) in the case to save his image. Dinesh plans the whole thing and arrests Hari while going to attend a PSC examination, much to the dismay of his lover, Arya (Malavika Menon). He also tries to prove that Hari does not have a good record in his past, and gets the support of the public prosecutor, despite the commissioner not being sure about this case’s progress. Now, it is up to Hari to prove his innocence, but once again Krishnan is there to give false witness. It is not easy to find a way out.

The defence of Kurukkan :: The attempt to move from the usual to become divergent is interesting indeed. The movie certainly required its seriousness along with the comic side, and that has been managed for most of its run. For the same, it has created the perfect partners in crime out of the right father-son duo; their adventures could have actually been longer. The final court scenes are hilarious, and the best moments are well-adjusted to the final shots of the movie. As one wonders if such scenes are actually possible, it is certainly far more realistic than what Jana Gana Mana dialogues make us feel in an artificial manner. The basic human nature can also be seen reflected here, as people continue to be what they do not seem to be. The inherent evil in man would find it difficult to let the innocent thrive, and the film shows it through multiple instances. There are no shortages for foxes in our world, and it is the innocent who have to take the blame, as it is shown in the movie. The smart evil ones often make the best out of their opportunities.

The claws of flaw :: The inability of Kurukkan to thrive on its advantages can be clearly seen throughout its run. There were so many opportunities to gain advantage here, but the same is not used effectively. The scene at the beginning which is the recreation of a known case is rather foolish and a sign of lacking in creativity and innovation. The use of some of the performers in the respective roles is questionable considering how the characters have been written. The main character here could have been developed better, especially with his personal relations. The mystery is also not effectively solved in the end, as the blending of genres often goes through a certain amount of struggle which makes some characters wonder about their existence. We have also reached a situation when talking about social media influencers do not concern the common man who go through their daily struggles any more. The comic side on some occasions also feel a little bit overdone in a film which has kept itself as normal as possible otherwise. Kurukkan could have mixed its world like Adi Kapyare Koottamani and evoked laugher, but it couldn’t really do that.

The performers of the soul :: In terms of performances, it is Vineeth Sreenivasan who stands out, and further excels in the final moments of the movie. He is not the usual cop, even for the comic standards, as a separate identity has been built efficiently by him. Another person standing tall is the real-life father and the reel-life partner in crime, Sreenivasan who has his fine moments of comedy. He once again pulls off a twisted role with ease. Shine Tom Chacko does not have the usual role when he is suspected as part of proceedings by the audience, as this time, the innocence is easily felt – but the role is not without his usual tendencies that are visible yet again. Malavika Menon has a neat role to perform here, and does a fine job to continue giving the feeling that she is here for stronger roles. Mareena Michael Kurisingal and Ansiba Hassan do not have much to do around here while Sruthy Jayan and Gowri Nandha have more notable moments. Aswath Lal also does some nice work here. Then, it is always nice to see Azees Nedumangad getting some roles to be noted.

How it finishes :: Kurukkan will have our attention with moments for sure. It might not be everyone’s cup of tea, and finding faults around here might not be a difficult task. It is not a movie to be taken that seriously and is not to be a movie full of laughs, taking care of both genres in one way or the other. The final moments of the film would make sure that it finishes well, and there is also that poetic justice very well provided. Kurukkan could surely have a sequel, or even a prequel, as the adventures of the main character deserved more. The movies like these are the type which we watch at some later time period when there is a lot of time at hand, and when the need for some nice little humour has arisen. We have had some interesting movies like Madhura Manohara Moham and Nalla Nilaavulla Raarthri which were not given that much hype. This one had created a better interest among the audience with the trailers, but the others might have turned out to be bigger movies in the end, except for the climax where this movie scores the most.

Release date: 25th August 2023 (Amazon Prime Video); 27th July 2023 (Theatre)
Running time: 123 minutes
Directed by: Jayalal Divakaran
Starring: Vineeth Sreenivasan, Sreenivasan, Shine Tom Chacko, Srikant Murali, Dileep Menon, Joji John, Sudheer Karamana, Mareena Michael Kurisingal, Malavika Menon, Ansiba Hassan, Sruthy Jayan, Aswath Lal, Balaji Sharma, Krishnan Balakrishnan, Azees Nedumangad, Nandan Unni, Rashmi Anil, Anjali Sathyanath, Sohan Seenulal, Ancy Sarah, Shaji Marad, Ajay Joseph, Mel Saju John, Riyaz Pattambi, Bijesh Naduvil, Manup Jaganathan

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@ Cemetery Watch
✠ The Vampire Bat.